So yes, the picture on the right is pretty obviously a parody. And a good one.
Why is it so funny, though? Good parody takes something real, adds an implausible twist, and presents it as though serious. This is a case of social criticism (against the scientific illiteracy promoted by some fundamentalist Christians and the debate over whether creationism should be taught to children in science class). I don't think anyone has ever actually taught children that Jesus might have ridden a dinosaur - but there are people who teach children that humans and dinosaurs lived together 6,000 years ago, and perhaps more recently. So all you have to do is tug on the worldview a bit, extend it, and presto! Clever images.
If you understand what it means to have a worldview - what it means to say that
you have a worldview - then you can analyze things like this more effectively. How do you know the things you think you know (such as it is silly to think that Jesus might have ridden a dinosaur - the
doctrinal dimension of your world view)? Why is it wrong to fail to teach genuine science to children (the
ethical dimension)? Do those you are criticizing share your analysis? How can you connect to them, allowing you to engage in dialogue with them as an internal critic, rather than preaching at them from the outside? I have a feeling this image, funny as it is, addresses people who already agree with its message (that creationism is foolish and should not be taught to children), and will just insult those who disagree (by which I mean those whose worldviews tell them that evolution is a pernicious lie).
But now, take a look at the next image, below and on the left, which is from an American peace rally.
This is not parody. It is deadly serious, and very powerful. The question is, why? I would argue that this is a case in which social criticism is being done more from the inside.
First, the slogan is obviously a take-off of "What would Jesus do?" - a saying that is so common among American evangelical Christians that there are bumper stickers and lapel pins that say simply "WWJD" and everyone knows what it means. Second, the fellow is dressed as - might actually be - a priest or minister. Third, the protester's sign introduces a kind of cognitive dissonance: Jesus, the "Prince of Peace" who famously blessed the peacemakers and condemned those who live by the sword, versus his followers who make war, all the while claiming to follow in his footsteps.
Jesus said: but I tell you who hear me:
Love your enemies,
do good to those who curse you,
pray for those who mistreat you.
... Do to others
as you would have others do to you.
(Luke 6:27-28; 31)
So... let us bomb only those Jesus would bomb. As internal social criticism, I think this is brilliant.
Think worldviews again: here we have the
ethical dimension of a Christian's worldview being appealed to by pointing out contradictions in the behaviour of those who hold to a creed (
doctrinal dimension) but don't live up to it. Meanwhile, the
social dimension of the same worldview makes the message more powerful because the priest's clothing, which is instantly recognized, brings out the contradiction (the parish priest being the counsellor and, in a sense,
peacemaker for the Christian community). It is probable that elements of the
ritual dimension are also appealed to. Seeing how this (and more) is at work in this image can help us to understand why this social criticism is so powerful.
A Final Note: The artist responsible for the dinosaur picture says he disagrees that his image is an example of external social criticism. It's possible that he is an internal critic - to know for sure, I'd have to know something about what community within the US he is from. If he grew up in a fundamentalist family, or became a fundamentalist at some point in his life, or something like that, he might be considered an internal critic if he still "feels" that community well enough to identify with it or at least "speak its language" (but the tone of the parody tells me he isn't very sympathetic). The other thing I'd need to know is what his intended audience is - I inferred that it was people who
already think that Creationism and Biblical literalism are wrong, but perhaps he also means to convince Creationists (and literalists) themselves. I would say that as parody reinforcing a point of view, this image is likely to be very effective, but it's unlikely to convince any actual Creationists. I could be wrong about that, of course, and saying it doesn't in any way detract from the value of it as a contribution to an important social debate in the United States.
On the other hand, the artist had to know some pretty intimate details about the Creationist viewpoint to even think of parodying it in this way.
Remember the definitions of "internal" and "external" social criticism here: the internal critic points out problems from
within the community in question (in this case, I'd say the community of conservative Christians) - something I don't see the 'dino' image doing abut which I do see the 'priest' image doing. The external critic (no less legitimately, but from a different angle) points out the problems from
outside the community in question. The former criticism is usually more effective (in the sense of convincing people) than the latter, since it speaks more directly to the worldview of the audience. I think the priest image is internal and the 'dino' image is external, but a closer analysis of the work of each artist could prove me wrong. Nevertheless, I chose these two images because I thought they were both excellent examples of the kind of thing social critics do.
What do you think? Leave a comment!For other comments, click on the pictures.